Professional colorist Waqas Qazi breakdowns the key things to look for in monitors and how to set them up properly for grading in DaVinci Resolve.īasically Qazi gets into what most of us should be looking for in a new display. However, a vast majority of us won’t have access to those $30,000 displays for most of our projects, even smaller media companies who are working on branded content. Displays for color-critical work can get to quite insane prices for serious productions, say if you were working on a Netflix Original. If you can’t accurately see what you are editing you can’t know whether what changes you make are right. When you are getting ready to do your color grading the most important tool is your monitor.
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